How easy is it for a man to simply disappear?
When rural banker Richard Harper is reported missing, DSS John (Archie) Baldrick and DC Ben Travers are drawn into the tangled details of the man’s life. Would Harper really have chosen to leave his seriously ill wife, and abandon his pregnant girlfriend? Or is there a real threat behind the abusive emails he’d been receiving from desperate clients in the wake of the Global Financial Crisis?
On the home front, Archie’s marriage is rocky and his two teenage daughters are giving him all sorts of trouble. The frail but beautiful Helena Harper and her magnificent house offer an oasis of calm as Archie struggles to discover who is responsible for her husband’s disappearance. Has he really been abducted, tortured or killed? Or is Richard Harper himself behind everything that has happened?
Archie and Travers ultimately face a race against time as the case descends into a bewildering morass of obsession, violence and murder.
Longlisted for the 2019 Michael Gifkins Memorial Prize for an Unpublished Novel
Finalist in the 2020 Ngaio Marsh Awards for Best First Novel
Into the Void by Christina O’Reilly was a quick, entertaining read. There is so much action, and kept me on my toes. This didn’t feel rushed. I am impressed with how well this read!
I loved the character development in this story. They felt real. They felt like people and it was easy to be sucked into the story.
I loved the twists and turns. I loved the writing. This was a really good story that I would say I’d worth checking out.
*I received a free copy of this book from Rachel’s Random Resources in exchange for an honest review on the blog tour. All opinions are my own and unbiased.*
Christina is an author and proofreader living in the Waikato region of New Zealand. Several of her short stories have been published in anthologies, most recently in Fresh Ink: A Collection of Voices from Aotearoa New Zealand 2019. Into the Void is her first crime novel and was longlisted for the Michael Gifkins Memorial Prize in 2019. It is also a finalist in the 2020 Ngaio Marsh Awards for Best First Novel.
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